Some old lenses designed for film cameras are equipped with aperture control levers (the so-called “automatic” or “jump”) and not all Soviet lenses have a switch that disables automatic aperture control.The lenses of old optical elements may be contaminated with engine oil or fungus, and such contamination may not be noticeable when buying a Soviet lens.You will have to focus manually, so if your camera does not have manual focus assistants such as focus picking or a focus area magnifier, then many of your pictures, especially at first, will go to waste.You will have to buy an adapter with a corrective lens, which will worsen the optical properties of the lens. It is difficult to use manual Soviet optics with SLR digital cameras, since the lenses of Soviet cameras were designed for a smaller segment – the distance from the rear lens to the light sensor.And here there is a temptation to buy a Soviet lens on the secondary market, which seems to cost a little and the bokeh of such lenses is even more interesting than that of modern counterparts.Īnd if you plan to choose a Soviet lens to use it with a modern digital camera, then you need to keep in mind the following nuances (this is in addition to the need to purchase the appropriate adapter): ![]() As usual beginners have no money for such purchase. You can place orders now, shipping looking like end of December.After buying a SLR or mirrorless digital camera with a kit lens that has mediocre optical performance many people think about purchasing their first non-complete lens in order to get that notorious bokeh (background blur). Iron Glass has plans for a whole set of Helios rehoused lenses, consisting of 20,28,37,58,85 and 135mm. Much of this is likely down to the relatively cheap cost of the lens itself, they are fairly common to get hold of and usually fetch for under $100. The price? $950 – pretty reasonable when considering the cost of usual lens rehousing. It weighs just over half a kilo (550g/1.2 lbs.) and sports a 95mm clap on front with internal 86mm filter thread. Aperture remains on the front in f/stop (no T-stopping) but is de-clicked.ĭespite the slightly confusing name, the Cine Helios 44-2 is a 58mm full frame lens.įocus rotation of the original Helios 44-2 is relatively long, the Cine Helios 44-2 is no exceptional at 270 degrees. The Cine Helios 44-2 is available in permanent PL or EF mount, focus scale can be etched in feet or meters. Iron Glass has taken it a step further a produced a completely rehoused version, for a very affordable price. None of this is ideal for video, and a few companies have looked to tackle this by adding gears, spaced front hoods and improved threaded mounts. Focus wheel is tight to the mount and, being old, models generally have some play here and there. ![]() It is M42 mount, meaning any adaption to the likes of Canon EF involves a screw adaptor (easy to unscrew). The problem many filmmakers have found with this lens is adapting it successfully for video. The 44-2 has become a very popular lens in the vintage market, known for it’s swirly-bokeh backgrounds. ![]() Helios is a lens brand from the Soviet Union era, affectionately naming all their lenses with a simple model number. The Cine Helios 44-2 VLFV is a new lens from Iron Glass that rehouses the cult classic 58mm Helios swirly-bokeh vintage lens. keyboard_arrow_rightCameras of the Year.keyboard_arrow_rightGear Guides by Type.keyboard_arrow_rightGear Guides by Budget.
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